Developed for the Babylon Conspiracy exhibition, made possible by the Moving Poets Organisation, this installation focuses on the archetypal, antisemitic conspiracy theory of Jewish domination through finance and media. I intended to explore conceptual questions about the idea of race, the othering of societies’ minorities within the anglophone states and their far-reaching consequences. Jewry, as a Semitic race, has been simultaneously accused of advocating capitalism and promoting communism, with the intent of both global domination and destruction. For this installation I disassembled a chandelier that I personally associate with wealth, using the glass to symbolise the Jewish people. This glass is then attached to fishing wire, encompassing the entire room to form a spider's web, representing the extent of conspiracy theories and impossible to find an original source for.